A Bad Mood, a Six-Pack,
and a Typewriter
Fred says it a lot better than I can.
A three-tour volunter nam vet (swiftboats)A Bad Mood, a Six-Pack, and a Typewriter
by Fred Reed
"I begin to weary of the stories about veterans that are now in vogue with the newspapers, the stories that dissect the veteran's psyche as if prying apart a laboratory frog - patronizing stories written by style-section reporters who know all there is to know about chocolate mousse, ladies' fashions, and the wonderful desserts that can be made with simple jello.
I weary of seeing veterans analyzed and diagnosed and explained by people who share nothing with veterans, by people who, one feels intuitively, would regard it as a harrowing experience to be alone in a backyard.
Week after week the mousse authorities tell us what is wrong with the veteran. The veteran is badly in need of adjustment, they say - lacks balance, needs fine tuning to whatever it is in society that one should be attuned to.
What we have here, all agree, with omniscience and veiled condescension, is a victim: The press loves a victim. The veteran has bad dreams, say the jello writers, is alienated, may be hostile, doesn't socialize well - isn't, to be frank, quite right in the head.
But perhaps it is the veteran's head to be right or wrong in, and maybe it makes a difference what memories are in the head. For the jello writers the war was a moral fable on Channel Four, a struggle hinging on Nixon and Joan Baez and the inequities of this or that. I can't be sure.
The veterans seem to have missed the war by having been away in Vietnam at the time and do not understand the combat as it raged in the internecine cocktail parties of Georgetown.
Still, to me Vietnam was not what it was to the jello writers, not a ventilation of pious simplisms, not the latest literary interpretation of the domino theory.
It left me memories the fashion writers can't imagine. It was the slums of Truong Minh Ky, where dogs' heads floated in pools of green water and three-inch roaches droned in sweltering back-alley rooms and I was happy.
Washington knows nothing of hot, wh*re-rich, beery Truong Minh Ky. I remember riding the bomb boats up the Mekong to Phnom Penh, with the devilish brown river closing in like a vise and rockets shrieking from the dim jungle to burst against the sandbagged wheelhouse, and crouching below the waterline between the diesel tanks. The mousse authorities do not remember this.
I remember the villa on Monivong in Phnom Penh, with Sedlacek, the balding Australian hippie, and Naoki, the crazy freelance combat photographer, and Zoco, the Frenchman, when the night jumped and flickered with the boom of artillery and we listened to Mancini on shortwave and watched Nara dance. Washington's elite do not know Nara. They know much of politicians and of furniture.
If I try to explain what Vietnam meant to me - I haven't for years, and never will again - they grow uneasy at my intensity.
"My God," their eyes say, "he sounds as though he liked it over there. Something in the experience clearly snapped an anchoring ligament in his mind and left him with odd cravings, a perverse view of life - nothing dangerous, of course, but...The war did that to them," they say. "War is hell."
Well, yes, they may have something there.
When you have seen a peasant mother screaming over several pounds of bright red mush that, thanks to God and a Chicom 107, is no longer precisely her child, you see that Sherman may have been on to something.
When you have eaten fish with Khmer troops in charred Cambodian battlefields, where the heat beats down like a soft rubber truncheon and a wretched stink comes from shallow graves, no particular leap of imagination is necessary to notice that war is no paradise.
I cannot say that the jello writers are wrong in their understanding of war. But somehow I don't like hearing pieties about the war from these sleek, wise people who never saw it.
There were, of course, veterans and veterans. Some hated the war, some didn't. Some went around the bend down in IV Corps, where leeches dropped softly down collars like green sausages and death erupted unexpected from the ungodly foliage.
To men in the elite groups - the Seals, Special Forces, Recondos, and Lurps who spent years in the Khmer
bush, low to the ground where the ants bit hard - the war was a game with stakes high enough to engage their attention. They liked to play.
To many of us there, the war was the best time of our lives, almost the only time. We loved it because in those days we were alive, life was intense, the pungent hours passed fast over the central event of the age and the howling jets appeased the terrible boredom of existence.
Psychologists, high priests of the mean, say that boredom is a symptom of maladjustment; maybe, but boredom has been around longer than psychologists have.
The jello writers would say we are mad to remember fondly anything about Nixon's war that Kennedy started. They do not remember the shuddering flight of a helicopter high over glowing green jungle that spread beneath us like a frozen sea.
They never made the low runs a foot above treetops along paths that led like rivers through branches clawing at the skids, never peered down into murky clearings and bubbling swamps of sucking snake-ridden muck.
They do not remember monsoon mornings in the highlands where dragons of mist twisted in the valleys, coiling lazily on themselves, puffing up and swallowing whole villages in their dank breath.
The mousse men do not remember driving before dawn to Red Beach, when the headlights in the blackness caught ghostly shapes, maybe VC, thin yellow men mushroom-headed in the night, bicycling along the alien roads.
As nearly as I can tell, jello writers do not remember anything.
Then it was over. The veterans came home. Suddenly the world seemed to stop dead in the water. Suddenly the slant-eyed hookers were gone, and the gunships and the wild drunken nights in places that the jello writers can't imagine.
Suddenly the veterans were among soft, proper people who knew nothing of what they had done and what they had seen, and who, truth be told, didn't much like them.
Nor did some of us much like the people at home - though it was not at first a conscious distaste. Men came home with wounds and terrible memories and dead friends to be greeted by that squalling she-ass of Tom Hayden's, to find a country that, having sent them to Viet Nam, now viewed them as criminals for having been there.
Slowly, to more men than will admit to it, the thought came: "These are the people I fought for?" And so we lost a country.
We looked around us with new eyes and saw that, in a sense the mousse people could never understand, we had lost even our dignity.
I remember a marine corporal at Bethesda Naval Hospital who, while his wounds healed, had to run errands for the nurses, last year's co-eds. "A hell of a bust," he said with the military's sardonic economy of language. "Machine gunner to messenger boy."
It wasn't exactly that we didn't fit. Rather, we saw what there was to fit with - and recoiled. We sought jobs, but found offices where countless bureaucrats shuffled papers at long rows of desks, like battery hens awaiting the laying urge, their bellies billowing over their belts. Some of us joined them but some, in different ways, fled.
A gunship pilot of my acquaintance took to the law, and to drink, and spent five years discovering that he really wanted to be in Rhodesia. Others went back into the death-in-the-bushes outfits, where the hard old rules still held.
I drifted across Asia, Mexico, Wyoming, hitchhiking and sleeping in ditches until I learned that aberrant behavior, when written about, is literature.
The jello writers were quickly upon us. We were morose, they said, sullen. We acted strangely at parties, sat silently in corners and watched with noncommittal stares. Mentally, said the fashion experts, we hadn't made the trip home.
It didn't occur to them that we just had nothing to say about jello. Desserts mean little to men who have lain in dark rifle pits over Happy Valley in rainy season, watching mortar flares tremble in low-lying clouds that flickered like the face of God, while in the nervous evening safeties clicked off along the wire and amtracs rumbled into alert idles, coughing and waiting.
Once, after the GIs had left Saigon, I came out of a bar on Cach Mang and saw a veteran with a sign on his jacket: VIET NAM: IF YOU HAVEN'T BEEN THERE, SHUT THE F--K UP. Maybe, just maybe, he had something."
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